Thank You Sir, May I Have Another?

That classic line from Animal House sure reminds me of how one might feel after submitting and submitting and submitting fiction to different markets.

If the definition of insanity is doing the same thing over and over again and expecting different results, then all of us writers who submit our work to professional markets are definitely feeling like they’re losing it. Despite that, one has to understand that rejections WILL happen. That’s the way it is. It’s just part of the business. And it isn’t personal.

The mark of a professional writer, however, is to grow a thick skin, and just to keep going, learning what one can from the rejections and implementing changes where appropriate, but not giving up. Giving up will never result in being published.

In other words, have a glass of wine (or Coke, if you’re under 21), a bit of chocolate, and find a way to laugh.

Never Give Up. Never Surrender!

Okay, I’m definitely letting my geek flag fly here.

This quote from Galaxy Quest (see IMDB link here) sums up the difference between a successful writer and a writer who lets rejection get to them.

After a long email conversation the other day with a friend of mine, this phrase came to mind.

I’ve been kinda frustrated lately. Rejections can be frustrating, and that’s okay. Sometimes you can learn from them. Sometimes it just feels like a kick in the teeth.

A single rejection doesn’t mean anything…unless there’s some personalized reason to take into account.

So this has become my catchphrase as it pertains to submissions…

 

Never give up! Never surrender!

Lessons from the Querying Trenches

When I first started the writing thing, I think my parents were a bit bewildered. My siblings were, too.  Several friends were in the same boat. 

It wasn’t that they were unsupportive. Far from it. They just didn’t know how it all worked. (I didn’t either, but I was researching my happy little butt off, learning it all for myself at the time.)

Heck, co-workers and colleagues always seemed just a little be befuzzled when I started talking about query letters or writing a synopsis or edits or revisions or getting ready for a conference, but I kept talking.

You know why?

Well, there’s the peer pressure for one thing. If they all knew what I was up to, they were going to ask if there had been any progress. This, of course, makes me feel like I need to be able to have progress to report. It motivates the Butt-In-Chair instinct to actually sit down and DO IT. Writers write. Wanna-be writers talk about wanting to write.

I actually went to the county fair last year with a friend and was walking around looking at exhibits and stuff, telling stories of high school escapades, and just enjoying the trip down memory lane. We went to the pig and calf scramble that night for the same reason. (I caught a pig when I was in high school; my grandfather used to do the announcing for the event, and now my cousin does it.) At the scramble, one of the law enforcement officers (I know him from my day job, of course) working security at the event stopped me and asked what I was doing there. I’m sure I gave him a dumb look, and muttered something about watching the scramble, when he smiled and told me that I should be home writing, “because I’d never finish my book if I didn’t go home and write.”

My jaw just about hit the ground. I hadn’t realized he even knew I wrote fiction. And then I remembered that I’d friended him on Facebook and I’d been updating my word count and posting writing updates. There’s a lesson there on social media, but it also served to motivate me to be able to post later that I had made progress, even if I did stay to watch the scramble that night.

I wasn’t the only one learning. My brother sometimes reads my stuff. So does my cousin. Mom has read some of it, and has asked for more. Dad’s read some of it, but it’s really not his thing. My sister’s not really a big reader, but she’ll ask from time to time if I’m writing on a day off.

They are NOT my critique buddies. I’m actually in two different critique groups, and I go to workshops and conferences, and have beta readers and writer friends all over the place. Family members reading are not doing so because I want them to pat me on the back and tell me how awesome I am. I love them, I trust them, and if they ask, I’m okay with letting them read stuff. I don’t ask them for critique; I have asked Mom, a former teacher, for copyediting grammar mistake type help. Brother has read some things and helped brainstorm ideas. So has Dad. But they are not the ones I go to for “make it better by making it bleed” revision. That’s not fair to put them in that position, and it’s not necessarily going to help me as a writer if they could be uncomfortable doing so. Better to just avoid it altogether.

The amazing part is that my parents and non-writer friends have all started asking questions about submissions and progress. I answered them, at first because I’d let them read some of the early stuff and then started panicking that they’d go out and self-pub it as a birthday or Christmas gift, something I DID NOT want to do. Probably an over-panic on my part, but I wanted to make sure that this didn’t happen. So I began telling them, a bit at a time, over dinner, or in passing, where I was at, and what my goals for publication were. And I explained specifically, the whole “money flows toward the writer” principle.

Fast forward a few years. Just the other day, I ended up telling Mom just how frustrated and disheartened I was with the writing in a phone conversation. I indicated some frustration with the query process, the “positive rejections” and hey, it was a bad day, with multiple rejections coming in. Let’s just leave it there. No matter how thick the skin, multiple rejections on the same day hurts. I was thinking it was a night for cookies and a glass of wine. Oh, and maybe some video games where I could kill things.

Her response, without qualification or hesitation? “You just gotta find the right place to send it, right?”

Spot on. Took the wind right out of my sails. And an answer I should have said first. And she’s right. She’d been listening to some of my talk about the querying process, and all the research and how it all works.

I’ve been at some gatherings with my parents recently, and they asked how it was going. Well, I made some noise about some frustration with market trends that had been cited to me in rejection letters, and some of the reasons I’d gotten for the “no.”  I was venting about it. (I’ll note…it’s way okay to vent, bitch, rant, rave, or otherwise do this in private, or with trusted friends and family members, but not okay to do this on your blog, on Facebook, on Twitter, or in the crowded bar at a writer’s conference.  Please note that I’m NOT going into the reasons for the rejection, or how many there had been, or WHO had rejected my writing. Also, please note, I said, rejecting my writing, not rejecting ME.)

My father listened to my rant, and didn’t say a whole lot. Then he asked me some questions.

“Do you want to write the stuff you’re complaining about?”

Honest answer for me was “No.”

His response? “I didn’t think so. I didn’t think you wrote stuff like that, and I can’t see you writing stuff like that. Don’t give up and don’t write stuff that isn’t you.”

Gulp. He was right. And it shut me down pretty hard. I’ve been thinking a lot about that lately.

He’d been listening. Mom had been, too. In fact, they’d been listening to me more than I had been. Talk about a reality check.

Respect for writing time only happens when people know it’s writing time. If you don’t tell them you’re writing, then you really have no grounds to get annoyed at the phone ringing, people talking to you, questions being asked, the doorbell ringing, or invitations to go, well, anywhere.

If they don’t know you’re writing, you can’t hold it against them.

I talked to a friend on the phone recently, and she wanted to know if I had weekend plans. I had indicated to her that Saturday I’d planned to write, but otherwise I didn’t have any other plans. Her reaction? “Oh, that’s okay, we’ll make plans Friday or Sunday then.” Color me surprised. I didn’t have a deadline to meet. I could have easily worked in Saturday plans, and write before or after I met her for dinner. She wouldn’t hear of it, no matter how much I protested that I could change my schedule.

There’s a lesson there in that the people who care about you are listening to what matters to you. If writing matters, they’ll see it. It might take a while, but they’ll see it. And they’re learning as you are. They might have advice. They might have some kind of help they can offer.

Even if it’s as small as weeding your flowerbeds while you write the next chapter.  And that’s not a hint, but I certainly wouldn’t turn that down!

A Sense of Humor and Inspiration

It’s hard to explain your own sense of humor to someone else. You can say it’s dry or it’s witty or it’s sarcastic or it’s light or whatever, but that’s a category. It’s not easy to give someone a good idea of what tickles your funny bone or amuses you as entertainment in a single word.

I think it comes as no surprise to many who read this blog that I sincerely believe that Joss Whedon is one of the brightest, most entertaining writers on the PLANET.

Not only did he write Buffy and Angel, series that I really enjoyed, but, hey, Firefly….Serenity…and Dr. Horrible. Whedon is funny, he’s socially conscious, and he treats women like actual women in his stories, instead of as place-holders or plot devices or obligatory romance angles. I haven’t really watched a lot of Dollhouse, but it’s in the Netflix instant queue for the next time I’m looking for smart, engaging entertainment that doesn’t treat me like an idiot but doesn’t require me to have a PhD in, well, anything, to follow it. I’m okay with learning something while I’m entertained, but I don’t want to feel like I’m supposed to take notes when I’m watching TV on a rare evening break from writing and work and everything else. And I want to laugh at it, no matter how dark or serious or scary or off-kilter.

I believe that humor is a part of everything we say and do and watch and discuss. And without humor, life would just suck.

The reality shows on TV really aren’t my thing. I’d rather have a plotted out story that just watch someone else blunder their way through life. I do that enough in my own life to enjoy watching someone else flail about without a resolution that fits the story. The exception seems to be Iron Chef America and Chopped and Food Network Challenge. Cooking competition shows are like catnip to me. I can’t stop watching them, but there’s a sick, twisted part of me that can’t resist wondering if the giant sugar statute is going to crash to the floor, or if someone’s going to set their eyebrows on fire with a torch. Hey, I admit it. That’s the first step, right?

Not everything funny has to be overtly marked as comedy. I was a big fan of The West Wing. I enjoyed The Sopranos, I can’t wait for the next season of Treme, and as much as I thought that Deadwood jumped the shark a bit toward the end, I could not stop watching it because I was so enthralled by the characters and the in-jokes and the world created for the show. I have to admit to really enjoying the wit behind many of Kevin Smith’s movies, and laughed my tail off at the Fanboys movie, making fun of geek fan culture. I was very disappointed when The Riches were cancelled before we got a resolution to the wonderful buildup…because I got swept away by the characters, who you knew were really criminals but you couldn’t help but root for them to get away with whatever zany situation they were trying to talk themselves out of. And yet, the characters were fully functioning human beings that laughed and loved and worked like real people with multi-faceted angles…they were three dimensional because they had a sense of humor that inspired viewers to come back over and over again.

I fell hard for the urban fantasy genre in the beginning of Laurell K. Hamilton’s Anita Blake series, because of the turn of phrase in her main character’s thought patterns.  Jim Butcher, Patricia Briggs, and Kim Harrison are big favorites for similar reasons. I’m a huge fan of Christopher Moore, for exactly this reason, as well as Good Omens, written by Terry Pratchett and Neil Gaiman. John Scalzi’s another one whose writing just hits the right level of crack-me-up and serious topics.

I prefer funny to hack-and-slash, but if we can do both, I’m in. I’m not a fan of horror zombie movies but I enjoyed the heck out of Shaun of the Dead and Zombieland.

I can get engrossed in a well crafted sentence, reading it over and over again in my head and chuckling to myself, savoring it in my brain like a surprise chocolate melt-away candy, one smooth enough or crunchy enough to distract me from what I’d been doing before I’d read or heard the sentence.

My friends do it, too. So that means we end up quoting minor bits of books and movies and tv shows at each other, peppered throughout our conversations.

I have a tendency to really enjoy a show or a book, and watch it or read it over and over again, compelled by characters and witty lines and situations that get stuck in my head, for later enjoyment. This is not always a good thing…it results in me cackling to myself in a corner because something someone else has said has dredged back up that line I’d read, or situation I’d seen six months ago…and it wouldn’t really be funny to anyone else in the room but it’s HYSTERICAL to me at the moment. I call myself the Queen of the Weird Mental Connection for just this reason.

Just one of these single save-it-away lines can turn into an entire story in my brain. My short story, DEMON BUSTERS, INC. came from a single sentence that John Scalzi uttered in a podcast interview about intergalactic genetically enhanced soldiers squishing inch high aliens with their boots. The story I wrote talked about squashing imps with work boots. I’d laughed at the line in the interview, and THREE MONTHS LATER, I was writing something with that line in mind.

Talk about a turn of phrase that sticks with you beyond the minute’s entertainment that it initially gives! I think all writers should aspire to some of that, whether it’s an iconic line that’s become part of the popular vernacular (i.e., “going to the mattresses” from The Godfather) or some scene that people refer to in the belief that it’s a universal meeting of the minds (if I talked about the diner scene from When Harry Met Sally, I’d guess that close to 90% percent of people would associate it with a woman faking an orgasm), or the crossover appeal of the Scooby Gang references in Buffy the Vampire Slayer.

It must be genetic, as well.

Nephew is a HUGENORMOUS fan of Buzz Lightyear. From Toy Story. Which was co-written by Joss Whedon.

We must be training him young.

Either that, or he’s inheriting the same, snarky, zany, off-kilter, somewhat contextual sense of humor that most of the family seems to enjoy.

I almost feel like I should apologize to him.

Surprises

Well, out of the blue, and appropo of absolutely nothing I had planned, I sat down to look at an earlier completed novel.

Not the GRIMM book, which is out on submission, but the werewolf book I’d trunked a year or so ago. SHADES OF GRAY.

The reality was that I’d looked at my notes for the sequel, because I’d had a random idea about one scene, and trying to turn it into a new project, maybe a short story. I got it in my head that the section I’d been looking at had something similar in the first book, so I opened up the file and began looking. I couldn’t find it.

But then I started reading.

And it doesn’t suck. In fact, I’m liking it, a lot, all over again.

Oh, sure, I’m doing a bunch of editing. Oh, sure, there are things getting changed. Definitely making some adjustments.

But I’m rapidly coming to the conclusion that it’s not as broken as I thought it was. Don’t get me wrong, there was a big plot problem…but the fix is not as involved as I’d worried. And I’m seeing the solution, which I hadn’t been able to figure out before.

After four days of reading and editing and futzing and changing, I’m not even close to done with it; but am at the halfway point in the novel. And this is a three day weekend, due to President’s Day on Monday closing my office and the courthouse.

I’m researching places to send it.

I think my frustration with it was a bit of blindness, because I’d looked at it and edited and re-drafted it so much that I couldn’t see the forest for the trees.

Yes, I’m in the midst of a new project, THE CORPSE BEHIND THE CARAVAN. And that’s stalled for a bit while I work on on these edits. The plan is to do the edits of the novel, to do edits on the query letter and the synopsis for the earlier book, and then work on submissions, before returning to the CARAVAN project.

Definitely surprised at myself. Didn’t think I’d look at that novel again. And I’m surprised about my reaction to it.

It just goes to show you that time and distance from your writing isn’t a bad thing.

 

Travel Plans

I’ve talked before about picking conferences and staying within one’s budget.

I’m following my own advice this year; I am staying closer to home than I normally do.

In that end, I will not be attending any conferences outside of Ohio this year. As much as I’d love to return to some of the conferences I’ve been to in the past, it’s just smarter this year to stay closer to home.

I’m hoping that means that I can do more since I’m spending less.

I’m still putting together some of my plans; I might even be able to stay at my own house and commute…which is a big budget saver.

I’ll say it here…no, that doesn’t mean that I’m having money problems. It means that I have a house that needs a few updates and a bit of a facelift. I need new carpet. I need new flooring in the bathrooms. I need to fix my dishwasher. There’s a whole list of things that I need to replace. These things mean prioritizing. I’m hoping that getting a head start on house expenses means the ability to travel more next year.

As I finalize plans, I’ll post my conference ideas.

Where are you planning to go this year?

Frustrations

There’s a lot going on right now that has me frustrated.

There’s the personal life frustrations, which aren’t getting blogged about, but create some confusion that I can’t do a lot to fix on my own.

There’s the instability of knowing what trials will go and what will resolve. Despite nine years of doing this job, this is still a frustration with no real solution. Fortunately I’ve worked with some GREAT courtroom managers/bailiffs that help with scheduling snafus. A lot. Thanks, guys.

There’s the frustration of having a short story out on submission for months on end with no response, and no way to know if the story ever got through the spam filter.

There’s the frustration of tripping over boxes of Brother’s stuff in the house because we still haven’t gotten it all organized yet and out of the way.

There’s the frustration of the cat misbehaving just for the sheer fact that it gets my attention.

And the frustration of the new novel not behaving as I try to get the first draft down.

Not to mention all the things I want to get done with the house before spring hits in earnest and yardwork and flowerbeds need serious attention.

So, I’m frustrated right now. On a lot of different fronts, but that’s just the way it goes. There’s really no solution to it, other than just to keep powering on through all of it. Close friends and family members know that I’m stubborn enough to pick a goal and run straight at it like a battering ram. I’m not unwilling to hear better suggestions and implement them, but I don’t give up easily. The human battering ram act gets frustrating, for lack of a better term, after a while. And leaves me with a whale of a headache after slamming my head against the wall over and over again.

That is all.

On Starting a New Project

For some dumb reason, I do this EVERY time I start a new fiction project.

I’ll do research and outline and plot and brainstorm and talk with a few writer buddies, but when I start writing it, I hate it.

So I’ll put aside that first page or so for a day or two, and I’ll come back to take a fresh stab at writing the scene in my head. Almost certainly, I still hate it. I’ll hate it slightly less that I hated that first version, but it’s still trash-can-chucking level of writing.

I’ll start it a third time, or even a fourth time, and by that time, it’s no longer at this-sucks-only-slightly-less-than-vomit and starting to look more like prose I’m proud of. And then I’ll edit what I’ve got one more time to see if it’s doing what I want before I start rocketing down the Don’t-Look-Down-Frenzy-of-First-Draft-Insanity. I’ve done that on every single fiction project, save one, that I’ve EVER written.

What to do? It’s a great idea, I just can’t get the brain revved up to move forward with it on the first, or even second try. It’s kinda like an old pull start mower, that you have to pull it three or four times to get it rolling, and then adjust all the controls and knobs and fiddle with it to get it rolling right. 

Of course, when I think of this analogy, I can’t help thinking of Eddie Izzard’s bit from his show Glorious, where he talks about his dad starting up the lawn mower when he was a kid. Specifically, the bit itself starts about 52 seconds into the video, and it doesn’t last very long…once he starts talking about glove compartments he’s on to something else. But the lawn mower bit is actually pretty accurate as to how my brain seems to need revving up when I start a project.

http://www.youtube.com/watch?v=MmFlK79hGUw&playnext=1&list=PL94E6C12BD1277780

Anyone else feel this way?

By the way, on the new project, I’m on the fourth pull-start. And feel like I’ve got it humming right now.

And no, you can’t see the old stuff. I plan to burn it in effigy (at least by symbolically printing it out and burning it) when I finish the project.

The Waiting Game

This is the hardest part of submissions. I’d almost forgotten how hard it is.

I have queries out. I have requested materials out. It’s only been a week, and I’m jittery with the need to check my email over and over and over again.

My Blackberry dings for my gmail account, and I’ve got to check. It’s probably spam; someone trying to get me to refinance my house (Not Hardly), buy vinyl siding (which I don’t need), replacement windows (which were new when I bought the house just a year and a half ago), or someone trying to get me to buy Vicodin or Viagra over the internet. (Yeah, I don’t think so.)

There’s a difference with short story submissions. You generally can only send them out to one market at a time. You send it, note your calendar for the date that you sent it, and move on to something else. You might send out a second short story, for a different market, in the meantime, or continue working on a novel.

Novels, on the other hand, are submitted by query letter first, and then the agent/editor will ask for pages if they want to see them. Unless an agent or editor specifies in their submission guidelines that you are not allowed to send out simultaneous submissions (which I would be leery of) you can send to every agent/editor who takes submissions at the same time. I wouldn’t recommend it, but that’s another blog post for another day.

And yet, somehow, it’s worse now that I remember it being before. I’ve gotten better responses to this novel/query letter than I have with any other piece of writing I’ve ever done. I know there’s not a ton out there in the market similar to it (which could be a good thing or a bad thing). Maybe it’s because I have requested material out there that I’m waiting for a response to, as opposed to waiting for responses to query letters, although I’m waiting for some of those, too. I know it takes time for agents to respond. I know that their current clients come first. And that’s as it should be.

Heaven knows, I’ve got to triage my own work at the day job sometimes. I don’t look at every single case assigned to me every single day. That’s impractical. (Though I did a little bit of that as a legal intern, terrified I was going to miss something on a case. That changed with bigger caseloads, bigger cases, and nine years of experience.) There are days that I’m just working through the pile. There are days that I’m in court all day. There are also days that I’m in jury trial, which means that even the writing in the evening is on hold until I have a verdict, get a good meal (since I can’t eat during the day while I’m in trial; adrenaline gives me a jittery stomach) and get a good night’s sleep.

And yet, I’ll see someone who has my query letter blog that they’re reading query letters, or someone with a full or partial post on Twitter that they’re reading manuscripts, and I stare at my email as if an answer is going to magically appear on the screen. And that’s fine. I’ve got no problem with blogging or Twittering agents or editors….I do both, myself.

I know better. But I’m human, too.

And so I stand up here, and say… Hello. My name is Addie. And I’m an Obsessive Email Checker. Again.

I feel like there should be a twelve step group for people like me.

Meeting Goals Early

Well…I posted some time ago that I had a “goal” (NOT a deadline, remember?) of being ready for submissions by March of 2011.

I gave myself way more time than I needed.

My critique group (or one of them, anyway) gives me a slot every month. We’ve got some page limits. Using the maximum limit, and the amount of stuff I had left to go, I guessed that I needed three more slots to get to the end of the novel.

And then people gave up their own slots, due to holidays and illness and family drama and other reasons, giving me slots to fill. (We do plan for this…to not let time go to waste if other people can jump in…which I could, this time.) Beta readers got me their notes earlier than expected. Edits began happening faster than I thought.

I’m not feeling rushed at all. It just means that I’m way ahead of my self-imposed goal of completion. And makes me feel even more productive than I thought I was.

YAY ME!